Steve Young on DCI

DCI World Championship Prelims are tonight. So, in keeping with the big events to come this week we invite you to take a listen to NFL quarterback great Steve Young and his observations about DCI. Thanks to Carlos Johnson for the video tip.

“Into the Air” by Ivan Trevino

Into the Air, for two marimbas by Ivan Trevino performed by Thomas Burritt and Joe Kelly, member of the Festival Hill Orchestra Percussion Section at the Festival Institute at Round Top in Round Top, Texas. Performance taken from the “Percussion Section Showcase” on July 14, at 1:30 pm in the Festival Concert Hall. Enjoy! Excited about any new pieces? Leave them below the post.

Originally posted on DrummChattr.com on July 19, 2012 by Thomas Burritt.

Michael Carney (1952 – 2012)

On June 14, 2012, Bob Cole Conservatory faculty member Dr. Michael Carney passed away from a long battle with cancer. On that day, I lost a colleague, friend and mentor. It is still hard to believe that Michael is gone, but I truly treasure all of the time I had to spend with him. I learned more than more than just music from Michael. My only hope is that I can be such an influence on as many people as Michael was. I will miss Michael, but I will continue to teach, play, direct and mentor current and future percussion students just Michael did with me and my fellow percussionists.

Today, we are celebrating Michael’s life with a memorial concert in the Carpenter Performing Arts Center at CSU, Long Beach. There will be performances by the CSULB World Percussion Group (performing West African and Brazilian Samba music) Pandemonium Steel Drum Band (Michael’s professional group), Noelle Carney, and Lucky7 Latin Jazz.

Below is a tribute that Carolyn Bremer, chair of the Music Department, wrote after Michael’s passing:

Dr. Carney was Director of Percussion Studies at the Bob Cole Conservatory for thirty-one years. He taught generations of percussionists and directed the World Percussion Group, Steel Drum Orchestra, and the Drums and Drummers Project. He taught classes in World Music required for all music majors and also open to the entire university.

Michael traveled the world performing, teaching, and studying. His performance expertise ranged from classical to jazz, and included musical instruments and styles from West Africa, the Caribbean, and Brazil. In the summer of 2005, Michael completed his first jazz concert tour of Brazil, performing vibraphone and steel pan in concerts. His concert in Rio de Janeiro was honored by the Jazz Society of Rio de Janeiro as the #2 International Jazz Concert of the Year (Wayne Shorter was #1) and Carney was named as the #3 International Jazz Musician of the Year (tied with Wynton Marsalis and Roy Hargrove).

He was founder and director of the World Percussion Project, a program that took American professionals, students, and teachers abroad for intensive study of music and culture. The project has taken participants to Rio de Janeiro and Salvador, Bahia, Brazil and Ghana, West Africa. His musical journeys also took him to Spain, Taiwan, Hong Kong, Japan, Trinidad, the Philippines, and Thailand.

As a classical percussionist he performed with the North Carolina Symphony, Pacific Symphony, and Long Beach Symphony Orchestra. Carney was been featured as a steel pan soloist with several symphony orchestras including the Virginia Symphony, Buffalo Philharmonic, Tulsa Philharmonic, Modesto Symphony, New Mexico Symphony, Wichita Symphony, and Long Beach Symphony Orchestra performing his own compositions.

Michael Carney was born in 1952 in Palmyra, New York. He earned degrees in percussion performance from East Carolina University, the Eastman School of Music, and North Texas State University. He also studied at the International Center for African Music and Dance in Ghana, and the Oficina de Investigaçaõ Musical and Rio Gruppo Percussaõ in Brazil. He is survived by his wife Grace and their daughter Jasmine, Nikolaus and Noelle and their mother Jann, his mother Jan, stepmother Shirley, brother Brian, and sisters Debbie and Tricia.

Originally posted on DrummChattr.com on July 7, 2010 by Dave Gerhart.

Cannonball Adderley Solo Interpreted by James Yoshizawa

Today, we feature freelance drum set artist James Yoshizawa performing Cannonball Adderley’s solo on “Freddie Freeloader” from the Miles Davis’ album “Kind of Blue” on drum set. I have never seen anyone take this approach to soloing on drum set and I hope this inspires more people to try this out. If you have any suggestions or input, please leave your comments below. Follow James on FaceBook.

Cannonball Adderley Solo Interpreted
James Yoshizawa

In one of the handful of lessons I’ve taken with Jason Harnell, he suggested transcribing and playing a horn solo on the drums. I decided to use Cannonball Adderley’s solo from “Freddie Freeloader.”

This was all done by ear. I started by listening to the solo over and over to become familiar with it. Then I started picking out phrases that I thought could be orchestrated on the drums in an interesting way. I didn’t go bar-by-bar from beginning to end. Sometimes a 1-bar phrase in the 4th chorus would catch my attention, then a 4 bar phrase in the 2nd chorus, etc. I gradually did that over the course of a week or so until I basically had the whole solo orchestrated on the drums.

This is a totally different experience than black and white transcription. A lot of creative, interpretive decisions need to be made in order to transfer ideas that sound hip on the saxophone to ideas that sound hip on the drums. There’s a fine balance between being too literal or too vague.

Originally posted on DrummChattr.com on July 26, 2012.

Monty Alexander Trio

YouTube is one of the great resources on the internet. I am sure I am not telling you anything new, but I truly believe it is only getting better in the recent years. This is especially true since YouTube lifted the 10 minute limit on videos. Recently, I have watched live concerts featuring Miles Davis, Mike Mainieri, and Genesis to name a few. Today’s video of the Monty Alexander Trio is no exception. The camera and audio angles are fantastic and there a lot to learn from watching a live concert. This video features Monty Alexander (piano), Jeff Hamilton (drums) and John Clayton (bass) at Jazz in Marciac. Enjoy!

Originally posted on DrummChattr.com on May 25, 2012.

Figures in a Landscape by Peter Klatzow

It has been a while since we featured the music of Peter Klatzow. Today’s video features a recent performance of Figures in a Landscape (1985) by Natalia Gerakis (Flute) and Zhe Lin (Marimba). Have you played any pieces by Klatzow? Which are your favorite pieces?

From YouTube Description:

Peter Klatzow is one of the few South African composers to achieve international recognition. He stats: “Re-establishing the primacy of tonality, without excluding non-tonal music as an extension of musical means. Concerning the musical language his aim is: broadening a vocabulary which can and does communicate”. Figures in a Landscape for Flute and Marimba is a challenging and demanding composition in free form.

Figures in a Landscape makes part of the Concert Programm CONTINENTS.

Natalia Gerakis, one of the most accomplished greek flutists and Zhe Lin, several times award winning marimba virtuoso from China, present an exciting world journey through the continents: from Europe to North and South America, via Africa, Asia and Oceania including impressinonist, modern and contemporary compositions for Flute & Marimba.

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