The California Percussive Arts Chapter hosted the 5th annual Percussive Arts Society Competitive Festival on Friday, May 5th, 2017. The Competition was held at the Fresno State Music Building and percussionists competed in the following categories: solo marimba, solo timpani, solo concert snare, and chamber percussion ensemble. (more…)
Sō Percussion creates adventurous compositions with new, unconventional instruments. Performing “Music for Wood and Strings” by Bryce Dessner of The National, the quartet plays custom-made dulcimer-like instruments that combine the sound of an electric guitar with the percussionist’s toolkit to create a hypnotic effect. (From Ted.com)
Performed by Quey Percussion Duo (Gene Koshinski and Tim Broscious) with the University of Minnesota Duluth Graduate Percussion Ensemble (Jordan Holley, Jody Morgan, Doug Quance, and Michael Taylor)
Circuit Breaker, scored for percussion sextet, functions as a concertino for percussion duo with percussion quartet accompaniment. While there is no set program, the impetus for the piece came from images of robots dancing. Initially, I was intrigued by a video of twenty synchronized “Noa” robots dancing in perfect unison, but the aesthetic of the music did not seem to fit the visual image. This posed the question, “What kind of music would a robot dance to?” This question conjured up a variety of ideas and sounds from mechanical and industrial to unusual and whimsical. Circuit Breaker takes the listener through a series of musical scenes that offer a response to this abstract question. (more…)
Performed by Third Coast Percussion
Sean Connors, Robert Dillon, Peter Martin, David Skidmore
Blindnesses is scored for four percussionists— sharing one vibraphone— and electronic sound processing. The electronic component of the piece at times adds a cavernous artificial resonance to the sound, while at other times, it plays back distorted fragments of music performed by the live musicians earlier in the piece. The four percussionists- whose movements must be meticulously choreographed to perform together on a single instrument- create their own stark sonic contrasts with a variety of mallets and acoustic pitch bending effects. (more…)
Karyokinesis, an original mallet quartet, composed by Aaron DeWayne Williams, for xylophone, vibraphone, and 2 marimbas. Aaron was a student of mine at CSULB. He is an amazing musician and tap dancer.
All video and audio recorded, edited, and mixed by Aaron DeWayne Williams.
The California Percussive Arts Chapter hosted the 4th annual Percussive Arts Society Competitive Festival on Friday, April 29th, 2016. The Competition was held at the Fresno State Music Building and percussionists competed in the following categories: solo marimba, solo timpani, solo concert snare, and chamber percussion ensemble.
Congratulations to everyone who participated. The complete list of winners will be listed on the California PAS website. I was fortunate to serve as a judge for the ensemble competition. The winning ensembles were:
High School Percussion Ensemble
1st Place: Central High School
2nd Place: Clovis North High School “A”
3rd Place: Clovis High School “A”
College Percussion Ensemble
1st Place: California State University Long Beach
2nd Place: California State University Fresno