The Black Page first appeared on Zappa In New York in 1978. Terry Bozzio recounts how the Black Page was written:
He wrote it, because we had done this 40-piece orchestra gig together and he was always hearing the studio musicians in LA, that he was musing on that, talking about the fear of going into sessions some morning and being faced with “the black page”. So he decided to write his “Black Page”. Then he gave it to me, and I could play parts of it right away. (more…)
Performed by Quey Percussion Duo (Gene Koshinski and Tim Broscious) with the University of Minnesota Duluth Graduate Percussion Ensemble (Jordan Holley, Jody Morgan, Doug Quance, and Michael Taylor)
Circuit Breaker, scored for percussion sextet, functions as a concertino for percussion duo with percussion quartet accompaniment. While there is no set program, the impetus for the piece came from images of robots dancing. Initially, I was intrigued by a video of twenty synchronized “Noa” robots dancing in perfect unison, but the aesthetic of the music did not seem to fit the visual image. This posed the question, “What kind of music would a robot dance to?” This question conjured up a variety of ideas and sounds from mechanical and industrial to unusual and whimsical. Circuit Breaker takes the listener through a series of musical scenes that offer a response to this abstract question. (more…)
Organized Rhythm, a percussion and organ duo featuring Clive Driskill-Smith and Joseph Gramley, performs J.S. Bach’s Jesu, Joy of Man’s Desiring. Be sure to check out their recording of the Planets by Holst.
“miracle ear” by David Lang
Video & Audio by Evan Chapman of Four/Ten Media
Performed by Matt Evans
“Originally composed in 2012, I made significant revisions to the piece in 2015, with the inclusion of an entirely new section. The piece combines two of my favorite instruments to perform on: marimba and drum set. The outer portions feature the marimba, with contrasting sections that use a variety of time signatures and harmonic ideas. By design, some phrases place the marimba in the role as accompanist, while most phrases see it scored as the solo voice. The middle section is meant to be a fun jam section based on the groove the underlies the piece from the very beginning. While portions of the middle section are open for improvisation, certain sections are written out to aid with transitions.” (From YouTube Description).
For more information about Rob and his compositions, contract Rob Sanderl.
Corresponding Points of Self-Similar Lines in a Terminal Cadence (2011-2015) by Steve Kornicki
I have been fortunate to work, play and commission works by Steve Kornicki. I have always enjoyed his music and I was happy to see his new piece by Ensemble P4.
Kristie Born, piano
Rose Shlyam Grace, piano
Marja Kerney, vibraphone
Thad Anderson, marimba
Ensemble P4 is an intercollegiate piano and percussion quartet based in Central Florida. (more…)