Every year, we are inundated with posts about the top “things” that happened in the past year. So I decided to post my 5 worst posts of the year in hopes you take some time to check these out. How did I decide what the worst posts were? Actually, I don’t think these are bad posts, but according to my site’s analytics, they were the worst performing posts. In the 1990s, NBC used to say “If you haven’t seen it, it’s new to you.” So, I invite you to check them out and let me know what you think. Happy New Year and I look forward to a great 2016!
Considered one of the first multi-percussion concertos, Darius Milhaud’s ‘Concerto Pour Batterie et Petit Orchestre’ (1929-30) is a masterwork in the percussion repertoire. Joseph Gramley and the University of Michigan Percussion Studio has put together a seven part documentary on this landmark piece. Bravo to Joe Gramley, Jonathan Ovalle and the UM Percussion Studio on this great historical resource.
Ten Things I Wish I Knew Going into my First Ensemble Rehearsal (better known as “Ten Things All My Students Better Know At Their First Ensemble Rehearsal”)
As percussionists, we are required to know how to play a vast array of instruments as well as the techniques that are associated with them. Young percussion students who are studying with a private instructor usually study marimba, snare drum, drum set or timpani. Ensemble playing techniques are usually something that are acquired in high school and unfortunately, the percussion section doesn’t usually get as much attention as it should. Below, I have come up with my “Top 10″ considerations I think all percussionists should know going into their first ensemble rehearsal. My hope is that this list will aid the young percussionist and I value any input and additions anyone has to this list.
1. Bring One (or more) Black Towels
A black towel is a wonderful thing. A black towel can be used:
On a music stand to create a stick tray
On a Bass Drum or Tom to Mute the Drum
To wipe sweaty hands (more…)
Auditions are just around the corner and I thought it would be a good idea to crowd source an audition advice post so that we can give some advice to incoming freshman and transfer students who will be auditioning soon. To start off the discussion, I thought I would present my observations and suggestions from past auditions and ask other teachers and percussionists to add their comments below. In a couple of weeks, I will compile all of the comments and create a master list of audition advice. (more…)
The last two episodes have featured my reviews about different drum pads that are available. Check them out here:
In the videos, I talk about the two types of drum pads: rubber and drumhead. Both types of pads have their advantages and disadvantages. For most of my warmups, I use the bdl Percussion Pad, because I really like the feel and sound. If I am relaxed, I can hear the vibration of the stick. I have never had that experience with any other pad and that is one of the reasons that I endorse their drum pads. (Full Disclosure, I endorse bdl Percussion and Remo). In my studio, I use the Remo pad if a student is playing through a piece for the first time.
But remember, a drum pad will never replace a drum. It does have the same feel and if you always practice on a pad, your sound on a snare drum will suffer. In general, I use a drum pad for warmups and when I am learning or working on a new piece. If I am playing snare drum on a concert, I will make sure that I use a snare drum leading up to the performance.
Below are the links of the different pads that I used in the videos. Please support these companies. They are making great products.
Remo 8″ Practice Pad with Stand
Remo 6″ Practice Pad
For the past four years, I have written posts on DrumChattr.com. I co-founded the site with Tom Burritt and Shane Griffin. We have worked hard at building a community for percussionists and it is a lot of fun connecting with so many musicians from all over the world.
Over the summer, we host BookChattr, a book club for percussionists. We have read Public Parts: How Sharing in the Digital Age Improves the Way We Work and Live by Jeff Jarvis, The Percussionist’s Art by Steven Schick, The War of Art by Steven Pressfield, and The Inner Game of Tennis by W. Timothy Gallwey. Currently, we are reading Learning to Listen by Gary Burton.
Along with reading this book, I have created some listening guides to accompany the book. I hope you will consider reading the book. I just finished it and I would definitely recommend it. Check out these links below for the resource guides and a Spotify playlist.