Buddy Rich on why he doesn’t use match grip

Ah…you have to love YouTube. In this video, Buddy Rich claims that playing traditional grip is the key to playing creatively behind the drums. I’ve often wondered why so many jazz drummers play this way. Do you think this is true? There is a GREAT moment toward the end of the solo he plays, and please cut us some slack on the language! Leave your thoughts below the post.

Originally posted on DrummChattr.com on February 6, 2012.

Last Waltz by Tim Constable

Over the past week, I have been spending a lot of time looking for one more piece to fill out my percussion ensemble program. I found a lot of great pieces that I will be posting in the coming months. Today’s video features a performance by Ensemble 64.8 performing Last Waltz (2009) by Tim Constable.

This is the first of four movements contained in the work ‘Percussion Quartet No. 1′
by the young Australian percussionist and composer Timothy Constable, provides a new take on the traditional waltz. Taking from the dances’ lilting rhythms and reworking them to an unusual degree of complexity and syncopation, Constable creates a challenging and energetic percussion quartet that leads perfectly onto the other three movements of the work; ‘Tango,’ ‘Loop,’ and ‘Final Science.’ ‘Last Waltz’ contains sections of percussive counterpoint in which motives are passed between the performers, as well as powerful and energetic themes played in unison, creating dramatic moments of driving rhythm.

The work shown here was performed by Ensemble 64.8, the resident percussion ensemble at the University of Alaska, Fairbanks. (Performers from left to right: Morris Palter, Fiona Digney, Trevor Saint, and Eric Retterer.) Nov. 20 2010 at the Davis Concert Hall located on the UAF Campus.

Originally posted on DrummChattr.com on February 3, 2012.

Percussion Axiom TV: Episode #91 “Behind the Ewazen – Part III”

Today’s PATV features a more general look at the 1st movement to Eric Ewazen’s “Conerto for Marimba and String Orchestra”. We dig into the process of interpretation and a few other issues this work raises when it comes to performance. How do you work on the more general issues of interpretation when preparing a work for performance? Leave your comments below the video or in the comments below.

New to the series? Check out Part I, and Part II before watching.

Percussion Axiom TV: Episode #90 “Behind the Ewazen: Part II”

Today we continue our series in preparation of my upcoming performance of Eric Ewazen’s “Concerto for Marimba and String Orchestra”. We look at some technical issues one must overcome to perform this work. How do you handle the technical aspects discussed in this episode? Leave your comments below the video or in the comments below.

New to the series? Check out Part I before watching.

Originally posted on DrummChattr.com on January 30, 2012 by Thomas Burritt.

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