The Concord Blue Devils won their 16th DCI World Championship on Saturday night in Indianapolis. The Blue Devils scored a 99.65 (the highest score ever in DCI) in their final performance. The Bluecoats (97.175) won 2nd place and The Cadets (96.875) placed 3rd. The Blue Devils had an amazing year, winning every competition leading up to finals. The Santa Clara Vanguard placed first in percussion for their final performance.
For complete results and recap analysis, check out DCI.org. Congratulations to The Blue Devils.
Were you there or did you watch it live? What were your favorite moments of the season? Leave a comment and let us know what you thought of the 2014 DCI season.
Here’s the Blue Devils show from Salem, VA on 07/29/2014.
Attention all auditioning orchestral percussionists: audition for Japan’s “New World” Symphony; the Hyogo PAC Orchestra. I recently returned from a healthy week long visit to HPAC for the PAC Percussion! series of concerts on August 2nd and 3rd. Every year in August the orchestra organizes two concerts (the same) featuring the PAC percussion section with a guest artist. For more information about this years concerts click here.
As it turns out there is an inspirational story around the orchestras inception. According to HPAC’s site: “During the decade following the great Hanshin-Awaji Earthquake of 1995, the courage, persistence, and compassion of Hyogo’s local residents brought about a miraculous renewal of the devastated region.” In 2005 the orchestra opened as a symbol of cultural rebirth of the region. Since then it has seen it’s 4 millionth audience.
HPAC orchestra is a resident orchestra exclusively affiliated with Hyogo Performing Arts Center under artistic direction of Yutaka Sado. During a three-year term, 48 international core members under the age of 35 engage in a variety of performance opportunities
including full orchestra and chamber orchestra concerts, a fully-staged opera, and chamber ensemble performances of standard and modern repertoire. They are joined in these performances by leading conductors, guest players and coaches from around the world. The HPAC program offers professional development for Core Members through master-classes and private lessons with visiting artists.
The facilities are immensely impressive and the center, being fully government funded, spares no expense when it comes to putting on productions and concerts. I had a first class experience. So, I share this post as an advocate for the center as it seems a bit unknown. Be sure to explore the source link above for more information.
Where you aware of this opportunity? Have any others that fit into this category? Please share your thoughts below the post.
Chapters 3 – 5 take place in Gary’s early years (around 1959 – 1962). He continues to talk about growing up in Indiana and starting college at the Berklee School of Music. Chapters 6 – 9 are the beginning of the section marked “Apprenticeship” and include his move to New York (when he meets Joe Morello), his time with George Shearing and then Stan Getz. I am enjoying reading about his experiences and lessons he is learning at a very young age.
“Sometimes, we play because we really want to play; sometimes we play as a favor for another musician; and sometimes, it’s just because we need the money. Despite countless hours of practice and concentration to elevate our art, we all too often have to put that aside because of circumstances.” – Gary Burton [Chapter 4, pg. 48-9]
Below, you will find the listening resources. I am also going to put together a Spotify playlist and I will add a link to it on this post. If you find something that is not correct or missing, please let me know.
Chapter 3: The Local Scene The Nashville All-Stars – After the Riot at Newport
Chapter 4: College Bound
No musical examples
Chapter 5: New Adventure New Vibe Man in Town (1961) [Gary’s First Album as a Leader] – Selections
Chapter 6: “Autumn in New York” Who is Gary Burton? – Selections [with Clark Terry (trumpet), Bob Brookmeyer (valve trombone), Phil Woods (alto sax), Gary Burton (vibraphone), Tommy Flanagan (piano), John Neves (bass), Chris Swansen (drums)]
BookChattr is starting soon. Come join the DrumChattr community and read Learning to Listen: The Jazz Journey of Gary Burton: An Autobiography by Gary Burton. I started the book last week and I am really enjoy it. The style of writing is conversational and the information is informative and insightful. As I was reading the first couple of chapters, I starting think about how I would like to listen to the pieces Gary talks about in the book. So I decided to put together a resource guide (similar to the Steve Schick Listening Guide Part 1 &